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| Code | Title | Time | Year | City, Country | Instrument |
| 7.01 | Abertura Um Drama Operário unfinished work; Edition Savart |
1947 | unfinished | ||
| 7.02 | Tragic Overture Edition Savart |
1958 | orchestra | ||
| 7.03 | Adagio for Strings first performance by Orquestra da Escola Superior de Música de Heidelberg; conductor Delamar Alvarenga, Mannheim, Germany, 1975; Edition Savart |
3’00 | 1942 | strings | |
| 7.04 | Alegre Dia Vai Nascer, O Poema Sinfônico Edition Savart |
6’00 | 03-1954 | São Paulo, Brazil | orchestra |
| 7.05 | Anticocos (Suíte de Balé) first performance by Orquestra da Rádio Club do Brazil, conducted by the composer, Rio de Janeiro, Brazil , 1952; obs: see Ballet 16.01; of the orchestral suite material there where only located the parts for percussion, piano and strings; Edition Savart |
12’00 | 1951 | orchestra | |
| 7.06 | Braziliana first performance by Orquestra do Teatro Municipal, conducted by the composer, Rio de Janeiro, Brazil , 1958; Edition Universal, Wien, Austria, 1960; Edited also in Moscow, Russia, 1958 |
14’00 | 15-11-1954/10-05-1955 | São Paulo, Brazil / Bucarest, Rumenia | orchestra |
| 7.07 | Café, O (Suíte de Balé) first performance by Orquestra da Rádio Club do Brazil, conducted by the composer, Rio de Janeiro, Brazil , 1953; see Ballet 16.03; Edition Savart |
12’00 | 1953 | orchestra | |
| 7.08 |
Canto de Amor e Paz first performance by Orquestra Sinfônica Brasileira, conductor Eleazar de Carvalho, Rio de Janeiro, Brazil , 1951; obs: International Peace Prize, granted by the World Peace Council, Wien, Austria, 1952; Edition Savart |
12’00 | 1950 | strings | |
| 7.09 | Cinco Esboços para Orquestra ded. Gisèle Santoro 1 Expressivo 2 Grotesco 3 Melancólico 4 Rápido e arrítmico 5 Expressivo II 6 Vivo (Inversão do IV) Edition Savart |
10’00 | 08-07-1964 | Brasília, Brazil | orchestra |
| 7.10 | Concerto Grosso first performance by Quarteto de cordas da OSB: João Daltro de & string orchestra Almeida, José Alves da Silva, Frederick Stephany, Marcio Mallard, conducted by the composer, Orquestra Sinfônica Brasileira, Rio de Janeiro, Brazil , 06-11-1982; Edition Savart |
16’00 | 24-02-1980 | Brasília, Brazil | string quartet & orchestra |
| 7.11 | Concerto for Chamber Orchestra 1 Andante 2 Moderato 3 Epílogo (Lento) first performance by Orquestra de Câmara da Cidade, conducted by the composer, Rio de Janeiro, Brazil , 13-08-1988; obs: commissioned by the State Secretary of Culture of Rio de Janeiro; Edition Savart |
12’00 | 25-07-1988 | Brasília, Brazil | strings minimum |
| 7.12 | Concerto for Chamber Orchestra with obbligato Violin first performance by Orquestra Sinfônica Brasileira, reg. Carlos de Almeida, (executados somente os dois primeiros movimentos), Rio de Janeiro, Brazil , 1944; Edition Savart |
12’00 | 04-1943 | Rio de Janeiro, Brazil | orchestra |
| 7.13 | Dança Brasileira Nr. 1 originally 1.04; Edition Savart |
3’00 | 1952 | orchestra | |
| 7.14 |
Dança Brasileira Nr. 2 first performance by Orquestra da Rádio Club do Brazil; conducted by the composer, Rio de Janeiro, Brazil, 1952; originally 1.05; Edition Savart |
3’00 | 1952 | orchestra | |
| 7.15 | Divertimento Edition Savart |
5’00 | 1943 | Rio de Janeiro, Brazil | orchestra |
| 7.16 |
Divertimento for a young Audience & Orchestra first performance conducted by the composer, Maya Soya & W. Bürmann, Congresso Mundial das Juventudes Musicais, Ausburg, Germany, 1972; Edition Savart |
1972 | orchestra, (ad libitum) | ||
| 7.17 | Entoando Tristemente first performance by Orquestra da Rádio Club do Brazil; conducted by the composer, Rio de Janeiro, Brazil, 1953; originally 1.28 (3); Edition Savart |
2’00 | 1953 | orchestra | |
| 7.18 | Fantasia Concertante Sul America Edition Savart |
31-05-1983 | Brasília, Brazil | orchestra | |
| 7.19 |
Frevo originally 1.09; Edition Savart |
3’00 | 21-11-1982 | Brasília, Brazil | orchestra |
| 7.20 | Icamiabas (Suíte de Balé) Ballet, 16.05; Edition Savart |
70’00 | 1958/04-1959 | Rio de Janeiro, Brazil / Wien, Austria | orchestra |
| 7.21 | Impressões de Uma Usina de Aço (1st version) first performance by Orquestra da Rádio Tupi; conductor Carlos de Almeida, Rio de Janeiro, Brazil, 1943; obs: Prize of the Brazilian Symphonic Orchestra; 2. version 7.22; Edition Savart |
5’00 | 1942/43 | Rio de Janeiro, Brazil | orchestra |
| 7.22 | Impressões de Uma Usina de Aço (2. version) first performance by Orquestra Sinfônica Brasileira; conducter José Siqueira, Rio de Janeiro, Brazil, 1946; first version 7.21; Edition Savart |
5’00 | 1946 | orchestra | |
| 7.23 |
In Tele Tonus Visionen dedicated to: Gisèle Santoro; first performance by Orquestra da BBC de Londres; conductor F. Chagrin, London, United Kingdom, 1970; obs: work used in the Ballet "Brasília Ano I", Brasília, 1988; written for Francis Chagrin; Edition Savart |
3’00 | 22-03-1967 | Berlin, Germany | chamber orchestra |
| 7.24 | Interações Assintóticas ded. to Gisèle and Salmerons first performance by Beethovenhalle Orchester; conducted by the composer, Bonn, Germany, 1976; obs: the 1 prize in the National Competition instituted by the State Secretary of Culture of Rio de Janeiro in 1972; Edition Savart |
15’00 | 09-1969 | Paris, France | orchestra |
| 7.25 | Intrata per Orchestra dedicated to: Eleazar de Carvalho; obs: unfinished; Edition Savart |
1960/70 | orchestra | ||
| 7.26 | Introdução & Allegro first performance by Orquestra de Câmara da UnB; conducted by the composer, Brasília, Brazil, 1964; Edition Savart |
10’00 | 22-01-1963 | Teresópolis, Brazil | strings |
| 7.27 | Mini Concerto Grosso dedicated to: Gisele, Alessandro & Raffaello; [1] Allegro moderato [2] Andante (lento) [3] Allegro (finale) first performance by Camerata do SESI; conductor H.Hiller, Taguatinga, Brazil, 1981; Edition Savart |
8’00 | 1981 | strings (in first position) | |
| 7.28 | Música para Cordas first performance by Orquestra Sinfônica Brasileira; conductor Oliviero de Fabritis, Rio de Janeiro, Brazil , 1947; Edition Savart |
6’00 | 01-11-1946 | Rio de Janeiro, Brazil | strings |
| 7.29 | Mutationen XII obs: Work formed by the set of Mutationen II, IV, V, VI and XI; orig. 6.05 with magnetic tape 15.16; Edition Savart |
8’00 | 1976 | strings | |
| 7.30 | Ode Fúnebre first performance by Orquestra da Rádio Club do Brazil; conducted by the composer, Rio de Janeiro, Brazil , 1953; Edition Savart |
6’00 | 1953 | orchestra | |
| 7.31 | One Minute Play obs: piece to be played as an encore; Edition Savart |
1’00 | 1966/67 | strings | |
| 7.32 | Pequena Abertura Universitária Edition Savart |
5’00 | 28-02-1979 | Brasília, Brazil | orchestra |
| 7.33 |
Ponteio first performance by Orquestra Sinfônica Brasileira; conductor Edouard Van Remortel, Rio de Janeiro, Brazil , 1954; Edition Cembra São Paulo, Brazil, 1954 |
23-11-1953 | São Paulo, Brazil | strings | |
| 7.34 | Prelude originally "Ofertório da Missa" 13.04; Edition Savart |
2’50 | 10-02-1983 | Baden-Baden, Germany | strings |
| 7.35 | Preludes first performance by 16.06, Brasília, Brazil, 1962; originally 1.29 (1-3/6/7); Edition Savart |
8’00 | 1962 | orchestra | |
| 7.36 | Recitativo & Variações obs: prize of the State Commission of São Paulo, 1959; Edition Savart |
12’00 | 1959 | flute, oboe, clarinet, bassoon, horn, piano, strings | |
| 7.37 | Saci, O (Suíte do Filme) obs: Awarded in 1954 as the best film score by the newspaper "O estado de São Paulo"(The State of São Paulo); Edition Savart |
18’00 | 1952 | orchestra | |
| 7.38 | Chamber Symphony only the first movement is finished; Edition Savart |
1941 | orchestra | ||
| 7.39 | Symphony Nr. 1 Edition Savart |
12’00 | 09-1940 | Rio de Janeiro, Brazil | 2 string orchestra's |
| 7.40 | Symphony Nr. 2 Edition Savart |
20’00 | 1945 | orchestra | |
| 7.41 | Symphony Nr. 3 first performance by Orquestra Sinfônica Brasileira; conductor Eleazar de Carvalho, Rio de Janeiro, Brazil , 1949; obs: The work received the 1 prize from the National Competition instituted by the Symphonic Orchestra of Boston in combination with the "Berkshire Music Center of Boston" in 1949; Edition Savart |
20’00 | 1947/48 | orchestra | |
| 7.42 | Symphony Nr. 4 (Peace) first performance by Orquestra do Teatro Municipal; reg. Pablo Komlos, Rio de Janeiro, Brazil, 1954; Edition Savart |
30’00 | 1953/54 | orchestra | |
| 7.43 | Symphony Nr. 5 first performance by Orquestra do Teatro Municipal; conductor o author, Rio de Janeiro, Brazil, 1956; Edition Savart |
35’00 | 1955 | orchestra | |
| 7.44 | Symphony Nr. 6 dedicated to: Ênio Silveira; first performance by Orchestre de la Russia Radiodiffusion Française; conductor Charles Bruck, Paris, France, 1963; Edition Savart |
20’00 | 1957/58 | - , - / Moscow , Russia | orchestra |
| 7.45 | Symphony Nr. 7 dedicated to: Jeannette & Heitor Alimonda; first performance by Orquestra Sinfônica da Rádio de Berlim; conducted by the composer, Festival de Berlim, Berlin, Germany, 1964; obs: the 1 Prize of the National Competition instituted by the Ministry of the Education and Culture, 1960, to commemorate the foundation of the city of Brazilia ; Edition Savart |
35’00 | 1959/60 | London, United Kingdom | orchestra |
| 7.46 | Symphony Nr. 8 first performance by Orquestra Sinfônica de St. Louis, conductor Eleazar de Carvalho; solista Rosalyn Wynes, St. Louis, EUA, 1964; Edition Savart |
16’00 | 1963 | orchestra | |
| 7.47 | Symphony Nr. 9 (Homage à Francisco Mignone) dedicated to: Gisèle Santoro, Homenagem à Fransisco Mignone; first performance by Orquestra Sinfônica Brasileira; conducted by the composer, Rio de Janeiro, Brazil, 19-11-1983; Edition Savart |
25’00 | 07-1982 | Brasília, Brazil | orchestra |
| 7.48 | Symphony Nr. 10 (Amazonas) first performance by Orquestra do Teatro Municipal; conducted by the composer; barítono Marcos Louzada, Bienal de Música Contemporânea Brasileira, Rio de Janeiro, Brazil, 04-Nov-83; lyrics: (4th movement) Thiago de Mello; obs: Order of the Gulbenkian Foundation; Edition Savart |
40’00 | 30-11-1982 | Brasília, Brazil | orchestra |
| 7.49 | Symphony Nr. 11 first performance by Orquestra Sinfônica Brasileira; conductor Roberto Ricardo Duarte, Sala Cecília Meireles, Bienal de Música Contemporânea, Rio de Janeiro, Brazil, 14-11-1987; Edition Savart |
20’00 | 13-06-1984 | Baden-Baden, Germany | orchestra |
| 7.50 | Symphony Nr. 12 obs: Also with denomination of Concertante Symphony for 9 soloists (violin, violoncello, flute, clarinet, viola, trumpet, oboe, horn and trombone); Edition Savart |
35’00 | 1987 | orchestra | |
| 7.51 | Symphony Nr. 13 Edition Savart |
35’00 | 1988 | orchestra | |
| 7.52 | Symphony Nr. 14 first performance by Orquestra Sinfônica Brasileira; conductor Ricardo Prado, Rio de Janeiro, Brazil, 23-11-1989; obs: work commissioned by the VIII Biennial of Contemporary Music in Rio de Janeiro; Edition Savart |
18’00 | 18-01-1989 | orchestra | |
| 7.53 | Suíte Brasília Ano I 1 Abertura (Orquestra) [2]Catetinho (flute solo) 3 Catedral (organ solo) 4 Palácio d’Álvorada (orchestra) 5 Lago paranoá (harp & violin) 6 Crepúsculo (piano solo) 7 Teatro Nacional (orchestra) 8 Finale (orchestra) obs: Work commissioned by the violinist Jerzy Milewsky for a film about Brazilia. Part of the work used in the ballet "Brazilia Year I" in Brazilia; Nr. 3 dedicated to G. Kegelmann; Nr. 6 originally 1.31; Edition Savart |
1986 | orchestra | ||
| 7.54 | Toada Triste Edition Savart |
4’00 | 18-04-1959 | Wien, Austria | strings |
| 7.55 | Três Abstrações (aleatória) 1 I 2 II 3 III first performance by Orquestra Sinfônica Brasileira; conductor Eleazar de Carvalho, Rio de Janeiro, Brazil, 1968; Edition Savart |
9’00 | 24-11-1966 | Berlin, Germany | strings |
| 7.56 | Três Fragmentos Sobre B-A-C-H first performance by Junges Kammerorchester; conductor Gerald Kegelmann, Heidelberg, Germany, 03-12-1985; Edition Savart |
10’00 | 11-10-1985 | Brasília, Brazil / São Paulo, Brazil | strings |
| 7.57 | Três Pequenos Divertimentos obs: lost work |
1942 | chamber orchestra | ||
| 7.58 | Variações Sobre Uma Série Dodecafônica Edition Savart |
12’00 | 01-02-1946 | orchestra | |
| 7.59 | Diagramas Cíclicos discovered 01/2007 obs: orchestrated version of 3.05 Edition Savart |
23-07-1986 | Londrina, Brazil | orchestra | |