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| Code | Title | Time | Year | City, Country | Instrument |
| 1.01 | Balade dedicated to: Nelson Freire; first performance by Mariedy C. Rosetto, Funarte, Rio de Janeiro, Brazil, 18-03-1981; Edition Savart |
6’00 | 07-11-1976 | Schriesheim, Germany | piano |
| 1.02 | Batucada subtitle: "No morro das duas bicas"; Edition Savart |
3’00 | 26-06-1948 | Paris, France | piano |
| 1.03 | Dance Edition Savart |
2’30 | 25-07-1950 | Rio de Janeiro, Brazil | piano |
| 1.04 |
Dança Brasileira Nr. 1 dedicated to: Jeannette Herzog Alimonda; trsc. 7.13; Edition Savart |
3’00 | 05-1951 | Rio de Janeiro, Brazil | piano |
| 1.05 | Dança Brasileira Nr. 2 dedicated to: Heitor Alimonda; first performance by Heitor Alimonda, I Congresso de Folclore,Teatro Municipal, Rio de Janeiro, Brazil, 1951; trsc. 7.14; Edition Savart |
3’00 | 05-1951 | Rio de Janeiro, Brazil | piano |
| 1.06 | Estudo no 1 dedicated to: Bruno Seidlhofer; first performance by Alex Blin, Mannheim, Germany, 1971; Edition Savart |
3’00 | 03-1959 | Wien, Austria | piano |
| 1.07 | Estudo Nr. 2 dedicated to: Nadile de Barros Macariou; first performance by Fanny Solter, Freiburg, Germany, 1962; Edition Savart |
3’30 | 05-03-1960 | Teresópolis, Brazil | piano |
| 1.08 | Fantasia Sul America trsc. 8.17; one of the 15 pieces (14 for different solo instruments and 1 for voice and piano) commissioned by "Sul America" for the confrontation tests of the competition "Young Interpreters of Brazilian Music 1983", Rio de Janeiro; Edition Savart |
4’00 | 10-04-1983 | Brasília, Brazil | piano |
| 1.09 | Frevo dedicated to: Oriano de Almeida; first performance by Iris Bianchi, Rio de Janeiro, Brazil, 1961; trsc. 3.18 & 7.19; ed. Cembra, São Paulo, 1954; |
3’00 | 08-1953 | São Paulo, Brazil | piano |
| 1.10 | Imitando Chopin Edition Savart |
1’00 | no date | piano | |
| 1.11 |
Intermitências I (Aleatória) dedicated to: Ney Salgado; first performance by Jocy de Oliveira, USA, 1967; Edition Savart |
4’00 | 05-07-1967 | Berlin, Germany | piano |
| 1.12 | Inventions (2 voices)
[1],
[2]
(4 Miniature Inventions) obs: manuscripts of Nr. 1 & 2 published in the Musical Supplements of "Resenha Musical" XI & XIII, São Paulo, Brazil; Edition Savart |
3’00 | 24-01-1942 | piano | |
| 1.13 | Miniaturas Edition Savart |
1’30 | 30-10-1950 | Rio de Janeiro, Brazil | piano |
| 1.14 | Noturno dedicated to: Alessandro Santoro, "ao filho, ao completar 18 anos"; Edition Savart |
3’00 | 02-1984 | piano | |
| 1.15 (1-7) | Paulistanas | 20’00 | 1953 | São Paulo, Brazil | piano |
| [1] Lento | 2’00 | 09-12-1952 | São Paulo, Brazil | ||
| [2] Moderato (tempo de catira) | 3’00 | 06-08-1953 | - | ||
| [3] Molemente chorosa | 3’00 | - | - | ||
| [4] Allegro | 2’00 | - | - | ||
| [5] Lento | 2’00 | - | - | ||
| [6] Vivo (Choro) | 2’00 | - | - | ||
| [7] Sonata em 1 movimento | 6’00 | 11-02-1952 | Rio de Janeiro, Brazil | ||
| dedicated to: Anna Stella Schic; Eunice Catunda, Nr. 3; 6; first performance by Felicia Blumenthal; Anna Stella Schic, Nr. 1 & 4; 3, São Paulo, Brazil, 1954/53; obs: Nr. 1 enclosed in the vol. I of Brazilian Contemporary Music for Piano, edited by Gerig, Köln, Germany, ed. Cembra, São Paulo, 1954/55 |
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| 1.16 (1-9) | Peças Infantis [1] Andante [2] Allegreto [3] Allegro [4] Valsinha lenta [5] Andante [6] Andante con moto [7] Allegro vivo [8] Acalanto da boneca [9] Sonatina dedicated to: Carlos Arlindo; Sonia Santoro; Letícia Santoro, Nr. 1,2,3 ao filho; 4,5,6 à filha; 7,8,9 à filha; Edition Savart |
10’30 1’30 2’00 1’00 1’00 1’00 1’00 1’00 1’00 1’00 |
1951/52 | piano | |
| 1.17 (1-4) | Peças para Piano (1st series) [1] Lento [2] Lento [3] Vivo grotesco [4] Moderato first performance by Oriano de Almeida, Rio de Janeiro, Brazil, 1943; edited in the same score 1.18 & 1.19; Edition Savart |
3’00 0’30 1’00 0’30 1’00 |
1943 08-1943 23-05-1943 08-1943 22-08-1943 |
Rio de Janeiro | piano |
| 1.18 (1-6) | Peças para Piano (2nd
series) [1] Lento [2] Expressivo [3] Allegro-lento-allegro [4] Muito lento [5] Lento-allegro [6] Andante presto dedicated to: Giocasta Kassuroff; Felicia Blumenthal; Geni Marcondes Koellreutter, Nr. 1,2;3;4,5,6; first performance by Arnaldo Estrella, Paris, 1948 edited in the same score 1.17 & 1.18; Edition Savart |
4’30 1’00 0’30 0’30 1’00 0’30 1’00 |
1946 06-05-1946 08-05-1946 - - 23-05-1946 28-05-1946 |
Rio de Janeiro Rio de Janeiro Rio de Janeiro - - - Rio de Janeiro |
piano |
| 1.19 | Pequena Toccata first performance by Oriano de Almeida, Rio de Janeiro, Brazil, 1943; edited in the same score 1.17 & 1.18; Edition Savart |
1’00 | 1942 | piano | |
| 1.20 |
Prelude "Tes Yeux" dedicated to: Lia; (original MS n. 3); Edition Savart |
2’00 | 20-05-1957 | Leningrad, Russia | piano |
| 1.21 |
Prelude "Toada" dedicated to: Lia; (original MS n. 4); Edition Savart |
2’00 | 05-1957 | Leningrad, Russia | piano |
| 1.22 |
Prelude dedicated to: Eliana Cardoso; (original MS n. 9); Edition Savart |
2’00 | 12-1958 | Rio de Janeiro, Brazil | piano |
| 1.23 |
Prelude dedicated to: Gisèle Santoro; first performance by Alex Blin, Mannheim, Germany, 1983; (original MS n. 17); Edition Savart |
2’00 | 08-02-1963 | Rio de Janeiro, Brazil | piano |
| 1.24 |
Prelude Nr. 26 dedicated to: "Homenagem a Siegfried Gerth" first performance by Alex Blin, Mannheim, Germany, 1983; (original MS n. 24) Edition Savart |
3’30 | 12-10-1983 | Brasília, Brazil | piano |
| 1.25 |
Prelude Nr. 27 dedicated to: Anna Stella Schic; Edition Savart |
3’00 | 14-07-1984 | Waldbronn, Germany | piano |
| 1.26 |
Prelude Nr. 28 dedicated to: Anna Stella Schic; Edition Savart |
2’00 | 31-07-1984 | Brasília, Brazil | piano |
| 1.27 |
Prelude Nr. 29 Edition Savart |
1’30 | 01-1989 | piano | |
| 1.28 (1-5) | Preludes (1st series) | 14’00 | 1946/50 | Rio de Janeiro, Brazil | piano |
| [1]Allegro-lento-allegro-lento | 3’00 | 1946 | |||
| [2] Allegro molto (invenção a duas vozes) | 1’00 | 1946/1947 | |||
| [3] Entoando tristemente | 4’00 | 10-06-1948 | Lausanne, Switzerland | ||
| [4] Dança rústica | 3’00 | 01-1948 | Paris, France | ||
| [5] Adagio | 3’00 | 23-08-1950 | Rio de Janeiro, Brazil | ||
| first performance by Fausto Garcia Medeles, Nr. 1 & 2, Havana,
Cuba, 1947; trsc. of the one in the 3: 1.18; Edition Savart |
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| 1.29 (1-12) | Preludes (2nd series 1st Book) | 18’00 | 1957/63 | piano | |
|
[1]
Lento expressivo (original MS "Tes yeux" Nr. 1) |
1’30 | 10-05-1957 | Leningrad, Russia | ||
|
[2] Andante (Cantabile) (original MS "Tes yeux" Nr. 2) |
1’00 | 16-05-1957 | Leningrad, Russia | ||
| [3] Lento expressivo (original MS "Tes yeux" "Adieux" Nr. 5) |
2’00 | 03-1958 | Moscow, Russia | ||
| [4] Lento (original MS Nr. 6) | 2’00 | 21-07-1958 | Rio de Janeiro, Brazil | ||
| [5] Andante (original MS Nr. 7) | 1’00 | 12-06-1958 | Rio de Janeiro, Brazil | ||
| [6] Andante (molto apassionato), homenagem a Brahms (original MS Nr. 8) | 2’30 | 14-12-1958 | Milan, Italy | ||
| [7] Lento (dolce terno) (original MS Nr. 10) | 2’00 | 04-03-1959 | Wien, Austria | ||
| [8] Moderato (original MS Nr. 13) | 1’00 | 18-03-1960 | |||
| [9] Lento (original MS Nr. 14) | 1’00 | 17-07-1960 | London, United Kingdom | ||
| [10] Lento molto expressivo (original MS Nr. 25) | 1’30 | 24-09-1963 | Genève, Switzerland | ||
| [11] Andante (Berceuse) (original MS Nr. 20) | 1’30 | 21-03-1963 | |||
| [12] Andante expressivo (original MS Nr. 21) | 1’00 | 24-03-1963 | Brasília, Brazil / Rio de Janeiro, Brazil | ||
| dedicated to: Lia; Nora & Alik; Jeannette Herzog Alimonda, Nr. 1, 2, 3; 4; 6; first performance by Norah de Ameida Moura; Alex Blin, Nr. 6; 10 & 11, Brasília, Brazil; Mannheim, Germany, 1969/71; trsc. 1.35 (1-3/6/7). obs: Preludes selected by the author amongst 25 written in the period of 1957/63. The numeration adopted for the publication of this score does not correspond to the one of the original manuscript with exception of Nr. 1 & 2. With the same music the "Canção de Amor" 9.08 (1); 1.29 (1) Lent et três expressive in the ms; ms version with repeat); 1.29 (7) Lied for piano in the ms, "Le Rêve de l'..."; Edition Savart |
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| 1.29 (13-21) | Preludes (2nd series 2nd Book) | 9’30 | 1963 | piano | |
| [13] Andante (Ms original Nr. 16) | 1’00 | ||||
| [14] Adagio molto (Ms original no 11) | 1’00 | 23-04-1959 | Wien, Austria | ||
| [15] Andante con moto (Ms original no 12) | 1’00 | 25-04-1959 | |||
| [16] Lento (Ms original no 15) | 1’30 | 03-02-1963 | |||
| [17] Lento (Ms original no 18) | 1’00 | 13-02-1963 | Rio de Janeiro, Brazil | ||
| [18] Allegro grotesco barbaro (Ms original no 19) | 1’00 | 02-1963 | Brasília, Brazil | ||
| [19] Andante (Ms original no 22) | 1’00 | 30-08-1963 | Genève, Switzerland | ||
| [20] Allegro moderato (Ms original no23) | 1’00 | 01-09-1963 | Genève, Switzerland | ||
| [21] Lento (Ms original no 24) | 1’00 | 01-09-1963 | Genève, Switzerland | ||
| first performance by Jocy de Oliveira, Nr. 18 to 21, St. Louis, USA, 1966; obs: The numeration adopted for the publication of this score does not correspond to the one of the original manuscript; Preludes 19, 20 and 21 with the title "Three preludes on a series" in the original manuscript. 13 -MS16; 14 -MS11; 15 -MS12; 16 -MS15; 1.29 (15) ded. ao Ney Salgado in the ms 1.29 (17) ded. a Gisèle in the ms Edition Savart |
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| 1.30 | Sambinha first performance by Neusa França, Brasília, Brazil, 18-12-1987; piece written for a Ballet; Edition Savart |
1’30 | 06-1987 | Brasília, Brazil | piano |
| 1.31 | Serenata (O cair da Noite ou O Céu de Brasília) trsc. 7.53 (6). obs: It is part of the Suite Brazilia with the title "Crepúsculo" (Twilight); Edition Savart |
3’00 | 14-06-1986 | Trier, Germany | piano |
| 1.32 | Sonata 1942 | 8’30 | 29-01-1942 | São Paulo, Brazil | piano |
|
[1] Lento [2] Allegro Brincando e Gracioso [3] Muito lento obs: finished in 29-01-1942, at the Farm "Rio do Braço" in Lavrinhas, São Paulo; Edition Savart |
2’30 3’00 3’00 |
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| 1.33 | Sonata Nr. 1 | 9’00 | 1945 | piano | |
|
[1] Lento [2] Allegreto [3] Andante-allegro Edition Savart |
2’30 2’30 4’00 |
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| 1.34 | Sonata Nr. 2 | 10’30 | 03-1948 | Paris, France | piano |
|
[1] Allegro [2] Lento expressivo [3] Allegro vivo dedicated to: Anna Stella Schic; obs: Microfilm in the Music Section of the National Library of Rio de Janeiro; Edition Savart |
4’00 3’00 3’30 |
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| 1.35 | Sonata Nr. 3 | 15’00 | 1955 | São Paulo, Brazil | piano |
|
[1] Allegro energico [2] Adagio (Expressivo) [3] Moderato (Ostinato) |
6’00 4’30 4’30 |
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| dedicated to: Heitor Alimonda; first performance by Heitor Alimonda, Salvador, Brazil, 1958; ed. Ricordi Brasileira, São Paulo, 1959 |
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| 1.36 | Sonata Nr. 4 (Fantasia) | 15’30 | 07-12-1957 | Sofia, Bulgary | piano |
|
[1] Allegro deciso [2] Andante [3] Allegro molto |
7’30 3’00 5’00 |
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| dedicated to: Jacques Klein; first performance by Maria Clodes Jaguaribe, München, Germany, 1960; Edition Savart |
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| 1.37 | Sonata Nr. 5 | 11’30 | 09-1988 | piano | |
| [1] Adagio
- Allegro Vivo [2] Andante [3] Livre angustiado dedicated to: Ney Salgado; first performance by Ney Salgado, Abertura do Festival de Música Nova, MASP, São Paulo, Brazil, 19-08-1989; Edition Savart |
5’00 2’30 4’00 |
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| 1.38 | Sonatina Nr. 1 | 6’00 | 01-01-1948 | Paris, France | piano |
|
[1] Allegreto [2] Adagio [3] Presto first performance by Arnaldo Estrella, Paris, France, 1948; Edition Savart |
2’30 2’00 1’30 |
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| 1.39 | Sonatina Nr. 2 | 5’00 | 03-01-1964 | Brasília, Brazil | piano |
|
[1] Allegro Moderato [2] Andante [3] Vivo dedicated to: Gisèle Santoro; first performance by Marita Zimmerman, Mannheim, Germany, 1974; Edition Savart |
2’00 1’30 1’30 |
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| 1.40 | Sonatina Infantil | 2’00 | 1946 | piano | |
| 1 Allegro 2 Lento 3 Allegro Edition Savart |
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| 1.41 | Toccata (1st Version) dedicated to: Arnaldo Estrella; first performance by Heitor Alimonda, Rio de Janeiro, Brazil, 1964; obs: this score is published in a compilation of toccatas from different composers published in Kiev, Ukraina; Musichna Ukraina; Kiev, Ukraina, 1978; ed. Ricordi Brasileira, São Paulo, 1955; EE, Moscou, 1960 |
3’30 | 18-10-1954 | São Paulo, Brazil | piano |
| 1.42 | Toccata (2nd Version) dedicated to: Arnaldo Estrella; Edition Savart Brasília, Brazil, 1986 |
3’30 | 1984 | piano | |
| 1.43 | Trem, O (children piece) Edition Savart |
1’00 | 1958 | piano | |